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Writing Jude is a practical application of literary theory to the Epistle of Jude. As such, it explores the nature of language, reading, and interpretation. This is the first such study to be undertaken with an Epistle. Writing Jude contains a chapter on each of the elements that affect interpretation -- reader, text, and author. In these broad categories, the book examines various contemporary literary theories and their application to the Epistle of Jude. The book provides a clear introduction to some of the most well known literary theories of the twentieth century and provides a demonstration of those theories in a particular text. This study breaks new ground in the understanding of both the Epistle of Jude and the application of literary theory to Epistles in general.
Bible --- Criticism, interpretation, etc --- 227*21 --- Brieven van Jacobus en Judas --- 227*21 Brieven van Jacobus en Judas --- Bible. --- Epistle of Jude --- Epistle of St. Jude --- Jude (Book of the New Testament) --- Criticism, interpretation, etc. --- Bible. Jude --- Judas (bijbelboek) --- Criticism, Interpretation, Etc
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In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.
Theater in literature. --- Acting in literature. --- Drama --- Dramaturgy --- Authorship --- Playwriting --- Technique. --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Knowledge --- Performing arts. --- Criticism and interpretation. --- Dramatic production. --- English literature --- anno 1500-1599 --- anno 1600-1699 --- Arts and Humanities --- Literature
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Algebraic number theory --- Harmonic analysis --- Mathematics --- Physical Sciences & Mathematics --- Algebra --- Analysis (Mathematics) --- Functions, Potential --- Potential functions --- Banach algebras --- Calculus --- Mathematical analysis --- Bessel functions --- Fourier series --- Harmonic functions --- Time-series analysis --- Number theory
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Women and literature --- Sarton, May, --- Sarton, May --- Bibliography --- United States
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The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers who subject is not art but imagination and whose most interesting aesthetic introspectionÆs, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude.The themes and forms examined by Barbara Hardy include narrative
Imagination in literature. --- Imagination. --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Hardy, Thomas, --- Author of Desperate remedies, --- Author of Under the greenwood tree, --- Desperate remedies, Author of, --- Gardi, Tomas, --- Ha-tai, --- Ha-tai, Tʻo-ma-ssu, --- Hārdī, Tūmās, --- Hardy, Tomás, --- Hardy, Tomasz, --- Khardi, Tomas, --- Under the greenwood tree, Author of, --- 哈代托瑪斯, --- Criticism and interpretation. --- Imagination --- Imagination in literature --- 820 "18" HARDY, THOMAS --- 820 "18" HARDY, THOMAS Engelse literatuur--19e eeuw. Periode 1800-1899--HARDY, THOMAS --- Engelse literatuur--19e eeuw. Periode 1800-1899--HARDY, THOMAS --- Hardy, Thomas --- Hārḍī, Thômasa,
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